The theatrical release, which is decidedly noir, has a very supportive score, which punctuates the dark humor. Drama, That's kind've interesting and common when you consider the genre it's fitting into, but it just feels like something is missing. All of that was designed to tell an audience how to feel rather than encourage a cinematic experience encountered with an open heart and mind. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. 2) Studios know what sells. The plot, characters and overall atmosphere is undoubtedly cool and I feel like if someone hadn't seen the other cut, they'd be extremely impressed. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others.

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During the DVD documentaries and commentaries included in this version of Payback, director Brian Helgeland states that he can now appreciate the … The redeeming feature of that film version was that it actually had a storyline you could follow..amidst all the trash mouth talking and bloody junk, the good acting made it a little bit entertaining.

So much of the film's last third was dumped that half the footage in the film's trailer (and even its poster image) were nowhere to be found in the finished film itself by the time it made it to the theatres. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". + $40.93 Shipping & Import Fees Deposit to Vietnam Yay!

yes, committees can recommend things, but ONE person, in the right place, in any company can often stop almost anything. Unlike most Director's Cuts, this really is a very different version of the film: while the first hour has more or less the same structure as the theatrical version, the last third is a significant departure. I discovered there was a directors cut.

classic film noir at its, at least in the contemporary scene, best. The redeeming feature of that film version was that it actually had a storyline you could follow..amidst all the trash mouth talking and bloody junk, the good acting made it a little bit entertaining.

Just when you think film makers are at their all time low, this one comes along and the commentary by the filmmaker himself made it even sadder. This version excises Kris Kristofferson's performance entirely and features a new score by Scott Stambler.

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However, I think what Mel Gibson did with the theatrical version is so much better. So his wife O.D.s after he beats her up?

Director’s Cut (101 min.)

Because the theatrical release is more ENTERTAINING, whereas the director’s cut is “dark and raw.” Guess what film critics?

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What still works here is the amazing visual style; I think it actually is betting in this version.

The Indie Fresh List: I have read that this film had issues in production which required heavy script doctoring and reshoots and while I have seen both, I still prefer the narrative of the cinematic release.

Please try againSorry, we failed to record your vote. One I will be re-watching again and again Not a Mel Gibson fan at all but this was a thoroughly enjoyable film. Please click the link below to receive your verification email. What they didn't know is that Porter would come back looking for his cut, which has been used to pay off Val's mob debts so he could return to "The Syndicate."

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Way wrong!